Art education - Ph.D.
The Ph.D. program in Art Education presents opportunities for
students with experience in schools or other educational
settings to develop necessary philosophical, theoretical, and
methodological competence to make scholarly contributions to the
field. Working as researchers, scholars, policy makers, and
practitioners, graduates become educational leaders in many
contexts – universities, colleges, P-12 school districts,
museums, community arts organizations, government agencies.
Our students typically carry out dissertation inquiry in
local urban and suburban schools, several renowned art museums
in the greater
Minneapolis area, and within the initial
teacher licensure program at the University. Both qualitative
and quantitative research methods have guided Ph.D. candidates’
in depth focus on issues such as comprehensive art and visual
culture curricula; teaching, learning, and critical literacy in
and through the arts; art teacher development and retention;
innovation in standards-based arts education and assessment; and
other knowledge building questions. Students in this program are
eligible to apply for and have been awarded prestigious
scholarships and fellowships.
Program faculty work closely with national-, state-, and
local-initiatives in art education and encourage graduate
students to collaborate in the development, implementation, and
evaluation of these programs. Faculty publication exhibits a
strong commitment to curriculum innovation, issues of diversity,
and life-long aesthetic and artistic development.
- James Bequette
My research explores the promise of culturally relevant arts
education increasing American Indian school success; the role
art education plays in alternative settings – charter schools,
ethnocentric magnet and independent schools; new teacher
preparation and induction; and the scholarship of teaching and
learning.
- Faith Clover
My research and teaching interests focus on curriculum
development and the aesthetic development of children and adults
with a special emphasis on diverse populations.
Course requirements
Required coursework for the Ph.D. in education,
curriculum and instruction.
Track: art education
Major requirements: A minimum of 24
credits as specified below.
- Curriculum and Instruction core
courses
- CI 8131—Critical Examination of Curriculum in
Context (3 cr)
- CI 8132—Teaching Theory and Research (3 cr)
- CI 8133—Research Methods in Curriculum and
Instruction (3 cr)
- Track-specific requirements
- Consult adviser to determine requirements.
Research methodology: minimum of 12
credits as specified below.
- Required courses in quantitative
methodology (minimum of 6 credits)
- EPSY 5261 & 5262 or EPSY 8261 & 8262 (consult
adviser)
- Required courses in qualitative
methodology (minimum of 6 credits)
Educational foundations: minimum of
6 credits.
- In consultation with adviser(s), students choose courses
in at least two of five areas: cultural, historical,
philosophical, psychological, or sociological foundations.
- List of educational foundations courses
Minor or supporting program:
minimum of 12 credits.
- All coursework in the supporting program is to be
selected with consultation by the adviser(s).
Pre-thesis and thesis credits: A
minimum of 24 semester thesis credits.
Total: A minimum of 78 semester credits.
See also: Ph.D. student
resources.
Ziegfeld Scholarship
Fund for Art Education
Amount: One annual award of $3,500
Deadline: May 1
Award date: Notification spring semester; award made fall
semester
Contact: Faith Clover, Department of Curriculum and
Instruction, 612-625-6098,
clove002@umn.edu
Criteria: For current M.A. or Ph.D. student in art
education; minimum grade point average of 3.5 in coursework.
Application: Please complete the
CEHD Scholarship
Application. Provide two letters of recommendation from
current faculty members. Submit a copy of your most recent
transcript. In a personal statement, explain why you are applying
and what makes you a worthy recipient of this scholarship. All
application materials should be submitted in a single envelope to
Art Education Program Area Coordinator, 125 Peik Hall, 159 Pillsbury
Drive SE, Minneapolis, MN 55455 and postmarked by the deadline noted
above. Print the name “Ziegfeld” in the lower left-hand corner of
the envelope. All applicants will be notified of the scholarship
committee decision by U.S. mail.
Judi Petkau
Like many older graduate students I have a checkered past of
education, work and life experiences. I grew up in Pennsylvania,
moved to Ohio and received my BA in Art History and Anthropology
from Kent State University, eventually ending up in Minneapolis
trying on lots of arts, retail and food service jobs. I have a
background in weaving and fiber arts and those skills opened up
the doors to teaching, giving me the opportunity to work in
schools as a visiting artist. Eventually life took me to Austin,
Texas where I continued to create textile work, and teach. At
the University of Texas, I pursued my K-12 art teaching
certification and received my M.A. in art museum education. My
thesis examined sustaining qualities of a long-term museum,
community and school collaborative program.
Upon graduation, I moved back to Minnesota and found work
with the Minneapolis Institute of Arts, Young Audiences of
Minnesota and for the past six years at the University of
Minnesota’s Weisman Art Museum as the Coordinator of Youth and
Tour Programs. I am excited by the opportunity to research the
art museum as a context for the teaching and learning of
critical literacy. For the last three years, I have worked to
develop a program called Artful Writing that focuses on building
visual and verbal literacy skills. In 2006, the Artful Writing
Classroom Resource Kit was published by the Weisman Museum, with
funding from the Institute of Museums and Library Services. For
the past two years I have worked to present Artful Writing to
various teacher groups, including the Minnesota Writing Project,
Art Educators of Minnesota, The Minnesota Council of Teachers of
English, The Minnesota Department of Education, The Perpich
Center for Arts Education and the National Art Education
Association.
Pursuing my PhD full-time while working full-time is
challenging. Fortunately, in the department of art education,
there is great professional camaraderie. This positive
environment not only enlivens our coursework and challenges us
in our academic research, but also provides essential
encouragement when we need it most.
Sample dissertations
Baden, M.D. (2003). The development and modification of discipline-based art education in
Minnesota, 1986-1996. Unpublished doctoral thesis. University of Minnesota,
Minneapolis, MN.
Frenzel, M. (2001). Being an art-teacher:
Interpreting meaning from experience. Unpublished doctoral
thesis. University of Minnesota, Minneapolis, MN.
Johnson, C.W. (2001). The evolution of
post-baccalaureate students’ conception of the artist-teacher
role during a teacher certification program. Unpublished
doctoral thesis. University of Minnesota, Minneapolis, MN.
Tomhave, R.D. (1999). Portfolio assessment in
the visual arts: A comparison of advanced secondary art
education strategies. Unpublished doctoral thesis. University of
Minnesota, Minneapolis, MN.
Roger Tomhave,
Ph.D., art education

After teaching for 11 years at Mahnomen High School on the
White Earth Indian Reservation in northwestern Minnesota, I
decided to pursue doctoral studies in art education. After
searching the nation for a program that would best meet my
needs, I decided on the University of Minnesota.
Without a doubt, the influence, instruction, and mentorship
of the faculty in the program shaped who I am as successful
teacher, administrator, and professor in the field of art
education. The professors truly subscribe to the philosophy of a
reflective practitioner, shifting seamlessly between theory and
practice, continually staying in touch with schools to ensure
that current practice is informed by theory, and tirelessly
promoting solid theory as the underpinning for successful art
education in schools.
I had the honor of being a research assistant funded by the
Getty Institute, which allowed me the rich opportunity for
training at the Getty Institute in Los Angeles, California. I
had the opportunity to see first-hand the difference that a
quality art education can make in the lives of students, a
school, school system, or community.
My master’s thesis research adapted models from general
education literature to make an impact on the discourse in art
education literature, as it related to multicultural art
education. My dissertation research led to a process for
assessing high-level student portfolios that is used throughout
Fairfax County Public Schools today.
I am currently the fine arts coordinator for Fairfax County
Public Schools in Virginia. It was my research in multicultural
art education that drew Fairfax County Public Schools to my
resume and candidacy for the art specialist position for the
school system. Fairfax County Public Schools students come from
over 150 different countries of origin and speak over 100
different languages. In this position, I oversee the K-12 fine
art program delivered by over 1,000 certified dance, music,
theatre arts, and visual arts teachers for 138 elementary
schools, 25 middle schools, and 25 high schools. I was awarded
the National Supervision/Administration Art Educator of the Year
in 1999 from the
National Art Education Association for my work in Fairfax
County.
Doctoral dissertation
Tomhave, R.D. (1999). Portfolio assessment
in the visual arts: A comparison of advanced secondary art
education strategies. Unpublished doctoral thesis. University of
Minnesota, Minneapolis, MN.
Revised February
2007 |